Plates, and the
lettering on them.
Name plates, niche fronts, portrait plates and civic memorial boards — cut, polished, engraved and packed here. The plate is the easy part; the lettering decides whether it still reads in twenty years.
Twelve plate types,
one set of rules.
Kerb plate, niche front or a board for a church wall — the format changes, the questions stay the same: size, stone, letter height and how it fixes.
Five ways to put
a letter into granite.
Each behaves differently outdoors. Sandblasted and gilded work last longest; etched work is finest but shallow — worth knowing before it goes on a wall in a wet climate.
Artwork proofed
before anything is cut.
A plate with a misspelt name is scrap, so the layout goes back to you at full size and nothing is blasted until it comes back approved.
Contrast is the
whole job.
Dark polished stone with a frosted or gilded letter is the most legible combination there is. Lighter stones need the letter filled to read at distance.
Send the text
and the fixing detail.