• Natural stone manufacturing & export
  • Marble, granite, sandstone, limestone, quartzite & slate
  • Shipped to 35 countries across 6 continents
  • Monuments & memorials made to your drawing
  • Blocks, slabs, cut-to-size & finished units
  • Container loads on FOB & CIF terms
  • CAD drawings & sample approval before cutting
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Monuments — Sculptures & statues

Figures carved
from one block.

Angels, saints, busts and relief panels for cemeteries, churches and memorial complexes. Worked by our own carvers from your photograph, drawing or model — roughed by machine, finished by hand, because that is the only part that decides whether a face reads.

Marble & granite Bust to life size From photo, model or 3D file Clay or digital proof Braced crating

How a figure
comes out of a block.

Stone is subtractive — there is no putting it back. This is why the block is sized with an allowance on every face, and why the proof is agreed before the first cut.

BlockSized with carving allowance on every face
Blocked outCut back to the main masses
RoughedHead, body and wings separated
ModelledDrapery and features shaped
FinishedHand-detailed and the surface brought up

Scale changes
everything about the price.

Height sets the block size, the carving hours, the crate and the freight. Tell us the height first and the rest of the quotation follows quickly.

Person 1800 mm Bust600–800 mmHalf figure900–1100 mmThree-quarter1300 mmLife size1700–1800 mm

Reference to crate,
proofed at every step.

Photographs of the work in progress go to you at roughing and again at detail — a figure is too slow to fix after it ships.

ReferencePhoto, model or 3D fileBlockSelected with allowanceRoughingMasses cut backCarvingForm brought outDetailHands, face, draperyFinishPolished, honed or mattCratingBraced inside the crate
ReferencePhotographs from several angles, a drawing, a maquette or a 3D file. Two views are never enough for a face — send four if you can.
ProofA digital model or clay study is agreed before cutting, and progress photographs follow at roughing and detail.
FinishPolished, honed, matt or a mix — faces and hands are often honed while drapery stays matt so the light behaves.
FixingDowelled into the plinth with stainless pins; larger figures supplied with lifting points marked on the crate.
Repairs & copiesExisting figures copied from photographs, and broken pieces matched in stone where the original is no longer quarried.
PackingBraced and foam-packed inside a crate built around the figure, with extremities boxed separately.

Send the photograph
and the height.

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